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Grateful Dead Live at St. Paul Civic Center Arena on 1977-05-11




Set 1

The Promised Land
They Love Each Other
Big River
Loser
Looks Like Rain
Ramble On Rose
Jack Straw
Peggy-O
El Paso
Deal
Lazy Lightnin' ->
Supplication
Sugaree

Set 2

Samson And Delilah
Brown Eyed Women
Estimated Prophet
Scarlet Begonias ->
Fire On The Mountain ->
Good Lovin'
Uncle John's Band ->
Space ->
Wharf Rat ->
Around And Around

Encore
Brokedown Palace


Collection GratefulDead
Band/Artist Grateful Dead
Date May 11, 1977
Venue St. Paul Civic Center Arena
Location St. Paul, MN

Source SBD -> Master Reel -> Dat (44.1k) D
Lineage Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 ->
Transferred by Charlie Miller


Notes

Notes:
-- All disc changes are seamless.
-- Reel flips in Ramble On Rose and Wharf Rat.
-- Cool Edit Pro was used to make level adjustments.

Reviews

Reviewer: njpg - - May 28, 2014
Subject: -
Spectacular moments, and many of them, but in a string of spectacular shows this one stands out as not-as-good. Some heavy clunking during Scarlet Fire, and the post-UJB "space" (really a Garcia solo that seems rather aimless) feels more anticlimactic than anything else.
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Source: AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Sony UCXS90 (1st set) & TDK MA90 (2nd set) with no Dolby. Set up last row of floor far right (stage left) side.
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Source: Master Audience Recorded By Mr. Darby; SennheiserMD421's (PAS/FOB/DFC/6 Feet High)> Sony TC-D5M,Tapes Sony Metallic; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudioGate Software By Keo
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Source: OTS AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell MX 90's with no Dolby, recording by Ted Gidley.
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Source: AKG C460b pre's with Ck61uls capsules > Uher CR240 > MAC (AKY Recording Supply Custom Wound BASF 100% CrO2 90 min)
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Source: Master Audience Recorded By Mr. Darby; SennheiserMD421s (PAS/DFC Behind Soundboard/6 Feet High)> Sony TC-D5M,Tapes Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
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Source: DTS-Audio-CD 5.1 Mix; SBD (shn id 90102) Pre-FM > DAT > CD > EAC > CD > EAC > FLAC; Both EAC steps were done twice with correct setting to ensure accurate rips. Final EAC and FLAC conversion done by Bob Abrams, 2/21/08. + AUD1 (shn id 116141) Recorded by "Da Weez" Transferred and mastered to .wav files by D5scott source: 2 Neumann KMF4 microphones > Sony TC-D5M - analog master cassettes
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Source: Master Audience Recorded By Mr. Darby; SennheiserMD421's (PAS/DFC/OTS Row 4)> Sony TC-D5m,Tapes Sony Metallic; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48 HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudioGate Software
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Source: Nakamichi CM-300 x2 > Cassette Master (Sony TCD5M/Maxell XLII 90)
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Source: Set 2 Source: 2 Neumann KMF4 microphones - up front/center > Sony TC-D5M - analog master cassette;